Tuesday, January 31, 2006
About Me
- Name: Carel Brest van Kempen
- Location: Salt Lake City, Utah, United States
Straddling the uneasy isthmus between art and biology
Previous Posts
- CIRCUS OF THE SPINELESS #5
- LEPIDOPTERAN LEVITATIONS
- JACKSON'S MONKEYWRENCH
- VISITORS FROM THE NORTH
- THE LATEST IN WILDLIFE MANAGEMENT
- GIANTS OF GOMERA
- AND ON A STRICTLY SELF-INDULGENT NOTE...
- SPIRITS IN THE HOUSE
- CRYING "WOLF" IN IDAHO
- IT'S MURDER, I TELL YA, MURDER!
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proudly awards
this site as
Recommended Reading
Please vote for it
in the community!
Vote for us!
4 Comments:
Wow! Terrific.
HH is right, both are terrific. But it's also a good display of why art will always be a part of natural history study. There are elements of anatomy (and background) that your painting shows off much better than the photograph. Structures can be defined and understood better by a drawing or painting that positions and lights the creature for best effect. How many times have you seen good, visually understandable feet in photographs. The only pictures I have of most large mammals' feet are photos I took myself at a zoo where the animal is on bare ground or textured concrete. That Gyrfalcon you posted a few days ago shows much more clearly how a wing folds properly than all but the very best photos.
Sorry to double post, but that first sentence should read GOOD art will always be a part of...
The art on this site is indeed GOOD!
yep, drawings make far more useful illustrations than photographs, but manipulated photographs will probably see their day, as well. Too bad.
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